Documentary on Inuit women's tattoos may get wider release
Filmmaker Alethea Arnaquq-Baril had feared doc would spark copycat tattoo trend among non-Inuit
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A Inuk filmmaker says she is finally ready to release her film to wider audiences after years of being hesitant to screen her documentary on traditional Inuit tattooing to non-Inuit audiences for fear of cultural appropriation.
Six years ago, Alethea Arnaquq-Baril finished her film Tunniit: Retracing the Lines of Inuit Tattoos. The documentary is an intensely personal and emotional exploration born of Arnaquq-Baril's desire to root herself in her traditions and reconnect with her ancestors.
What she didn't expect was that she would become the go-to expert on Inuit tattooing, for both Inuit and non-Inuit.
"I don't want to be seen as the person who is controlling who can get [Inuit tattoos] and who cannot, it's not up to me, but I can make it much, much easier for non-Inuit to access our history and our knowledge by putting this film out there, so I hesitated," said Arnaquq-Baril.
Through interviews with elders across Nunavut, Arnaquq-Baril's film describes how the practice of tattooing women, which she says used to be nearly universal, was all but stamped out in just one generation as a result of the concerted efforts of Christian missionaries.
Arnaquq-Baril says the cultural significance of Inuit tattooing is great, often marking the maturing of girls into womanhood, but she also says it's "fragile" and that non-Inuit copying the tattoo designs would be disastrous for Inuit trying to reclaim their culture.
'A physical embodiment of our culture'
Dion Kaszas, a member of the Nlaka'pamux Nation from interior British Columbia, is a professional tattoo artist, a cultural practitioner and is doing his masters thesis on how to revive indigenous tattoo traditions.
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"Indigenous tattooing and the revival of indigenous tattooing is happening on so many amazing levels throughout the indigenous world," he said.
Kaszas said many indigenous peoples use tattooing as a form of political resistance while others who have been displaced from their homelands tattoo themselves as a way of reconnecting to their heritage.
"[Tattoos are] a physical embodiment of our spirituality, a physical embodiment of our culture, a physical embodiment of who we are," he said.
Reclaiming indigenous design
In March of last year a group of Indigenous women launched a campaign called ReMatriate. The campaign started as a response to cultural appropriation on the fashion runway but has since grown to encompass a larger mandate of representing Indigenous woman in an empowering way.
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"There is still a certain amount of shaming that happens to indigenous women and our cultures," said Kelly Edzerza-Bapty, one of the co-founders of ReMatriate.
"So we decided we had to take action and show authentic representations of true indigenous textiles, fashions and regalia and us owning our culture."
Filmmaker Arnaquq-Baril said she is inspired by ReMatriate and what she called an explosion of Inuit women now getting tattoos.
"Now that I can't count all the tattooed women on one hand, I am less afraid to show the film to non-natives," Arnaquq-Baril said.
"What I am going to try to do with the film now is that when I show it, explain how important it is for Inuit to reclaim this tradition and that we are given some time to enjoy this resurgence."